Studio in Georgetown
After the Pandemic, a friend invited me to visit his new gallery in Georgetown. Penang seems to be a recurring destination for me at...
Citadel @Kampong Gelam/ Artworks for OpenHouse fund raise auction, Gillman Barrack.
As a renewed dialogue after the Singapore Bicentennial, Road to Citadel memorialises a historical event —Crawford's destruction of the...
A collector asked me about a work he bought in 1990.
“Glorious, 1989” Took the title from an epithet on the WWII monument on Elizabeth walk (present day Esplanade). In the late 80s in...
Raffles Trophies
This series of Raffles Trophies are musings prior to SG Bicentennial. ln the manner of colonial extraction of Javanese treasures, what...
Nothing Is Forever.
In a group survey of SG sculptures from the 60s to present at the National Gallery till February 2023. The works were made over thanks to...
Baju Rafflesia
Each day I sat at the kids’ table Unravelled seven Rafflesias of padded fabric rejects, unexhibited, BiCentennial past. Each disc of Solo...
Barong Sai
In 2010 I made a Rorsharch out of a false start of lilies by the folding the wet painting into two. The result looks like a lions head....
2020/ 2021— Uncursed Cotton/ Buang Suay
2020/ September, NGS Out of Isolation Corvid19, Perspectives online, National Gallery Singapore’s online publishing platform for...
2020/July— NUS Museum prep-room conversation online
Conversation with Johann Yasmin and Kirti Bhaskar Upadhyaya webinar started as Insta-stories at NUS Museum during Corvid lockdown....
2020/ March-October, Stay Home Quilt, community project
As artist-in-residence with 3Pumpkins in collaboration with volunteers from TzuChi HYC, La Salle interns and migrant workers in...
